Erin Williams’ graphic novel Commute: An Illustrated Memoir of Female Shame (Abrams ComicArts, October 8, 2019) gives an inside look at her past sexual experiences while offering an analysis of the way society looks at, and interacts with, women. Her cover, which features a woman wearing only a t-shirt and underwear standing on a platform in front of a crowded train, invites readers to explore the content within and holds meaning to Williams.

Press Enter to Continue is Spanish illustrator Ana Galvañ’s English-language debut. Translated by Jamie Richards and published by Fantagraphics, the book offers readers a series of surreal short stories exploring the negative effects of technology on society. Several reviews tout the book as “Black Mirror-eque” because of Galvañ’s use of psychedelic colors, abstract themes, and technological representations. Her cover is the first eye-catching concept for a reader and alludes to the content within. 

Ulli Lust, a 2013 Los Angeles Times book prize winner for her graphic novel Today is the Last Day of the Rest of Your Life, is revisiting her past with her newest book How I Tried to Be a Good Person. The graphic novel is a memoir, like Lust's first book, and according to Fantagraphics is “a story of sexual obsession, gender conflict, and self-liberation.” 

Last year, graphic novel sales drastically outpaced the growth rate of other print publishing. More and more readers are drawn to the marriage of art and storytelling that goes into books like Sea Sirens, a new middle-grade novel about a Vietnamese-American surfer and her water-loving cat. Spine sat down with Eisner Award-winning illustrator Janet K. Lee as well as writer and co-founder of Alpha Girl Comics Amy Chu to talk about bringing their graphic novel to life.

Kristen Radtke is a writer. Also, she's an illustrator and she designs book covers. Plus, she works as a film and video editor. And she's the managing editor of Sarabande Publishing. 

Radtke created the graphic novel Imagine Wanting Only This, described by the New York Times as "a story of the young writer's growing fascination with ruins and abandoned places, as she attempts to come to terms with death." The review continues on to call Radtke "a superhuman of illustration, a grandmaster." But even superhumans have to put pen to paper, have to start with a speck of a concept and grow it and grow.